tag:blogger.com,1999:blog-51788660993891787882024-03-16T10:53:48.216-07:00musicaliaIf any images* are impossible to see, protest against censorship! They are the main staple of this blog, like scanned music scores! If they are too big, try printing out from message or another computer, where size adapts. <br><br>Search your instrument in labels to the right, please. <p><a href="http://hglundahlsmusik.blogspot.com/2009/08/general-index.html">index générale, general index</a></p><p>*Click to enlarge, then print out, pls - cliquez pour agrandir, puis imprimer, s v p</p>Hans Georg Lundahlhttp://www.blogger.com/profile/01055583255516264955noreply@blogger.comBlogger227125tag:blogger.com,1999:blog-5178866099389178788.post-39012171092748268802024-02-24T07:02:00.000-08:002024-02-28T05:09:40.815-08:00Canon per due stromenti, nel Missolidio<br />
Erratum. A syncopation was left out on the second line, after the first dotted crotchet or quarter note, the subsequent quaver or eighth note should be tied to it. My bad!
<br /><br />
Une syncopation fut omise, deuxième portée, après la première noire avec un point, la croche suivante doit y être liée. Mes excuses!
<br /><br />
<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-lTjWDMWItMMmyilMzJT_Eq3CYARp4jXrZM4v8PfNzhedURyhVN3bbbPnFQgzffaZvIOR_8l44TWVozyUwxoyS8QcArfKP0Eu9Q_eHTOjI0aSUr_lmZHsyOC64sf8GxZSB1_W0Yvas45Hg_tPlx_CMHJreTHLihNFYrlL97Nnw3PtgspqalSIx-ze7UU/s1567/canon.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="320" data-original-height="1107" data-original-width="1567" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-lTjWDMWItMMmyilMzJT_Eq3CYARp4jXrZM4v8PfNzhedURyhVN3bbbPnFQgzffaZvIOR_8l44TWVozyUwxoyS8QcArfKP0Eu9Q_eHTOjI0aSUr_lmZHsyOC64sf8GxZSB1_W0Yvas45Hg_tPlx_CMHJreTHLihNFYrlL97Nnw3PtgspqalSIx-ze7UU/s320/canon.jpg"/></a></div>Hans Georg Lundahlhttp://www.blogger.com/profile/01055583255516264955noreply@blogger.com0tag:blogger.com,1999:blog-5178866099389178788.post-29970434086274127292023-11-22T14:56:00.000-08:002023-11-22T14:56:07.077-08:00Jig<br />
<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8YvGeXXpMA2mMznwtQmb_lPEnpaSqiy6iwjXVjQq0QZGIgskR_A-OKyJCMzdfmkXeCi7uDsddeES2f1T1dyLp1lQ8A7qxBBe3G_AYGPVopS6P0h4bC30nmkE_uSlO-2edfwCbaI39c7uTwyxpxdeEyiwQuReudsghqZOtlDUvWRZ5arCVv7GBsspWXvA/s3520/scan_11_22_23_23_48_15_20231122234810.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="320" data-original-height="3520" data-original-width="2496" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8YvGeXXpMA2mMznwtQmb_lPEnpaSqiy6iwjXVjQq0QZGIgskR_A-OKyJCMzdfmkXeCi7uDsddeES2f1T1dyLp1lQ8A7qxBBe3G_AYGPVopS6P0h4bC30nmkE_uSlO-2edfwCbaI39c7uTwyxpxdeEyiwQuReudsghqZOtlDUvWRZ5arCVv7GBsspWXvA/s320/scan_11_22_23_23_48_15_20231122234810.jpg"/></a></div>Hans Georg Lundahlhttp://www.blogger.com/profile/01055583255516264955noreply@blogger.com0tag:blogger.com,1999:blog-5178866099389178788.post-40614238801894994902023-10-31T07:41:00.013-07:002023-11-06T05:15:48.566-08:00Artsy Blogs<br />
<a href="https://creavsevolu.blogspot.com/2023/10/apologetics-blogs.html">Apologetics Blogs</a> · <a href="https://nov9blogg9.blogspot.com/2023/10/main-blogs.html">Main Blogs</a> · <a href="https://assortedretorts.blogspot.com/2023/10/debate-blogs.html">Debate blogs</a> · <a href="https://filolohika.blogspot.com/2023/10/philological-and-language-blogs.html">Philological and Language Blogs</a> · <a href="https://hglundahlsmusik.blogspot.com/2023/10/on-blogs-and-on-getting-things.html">Artsy Blogs</a> · <a href="https://hgl-hypno-journal.blogspot.com/2023/11/autobiographical-blogs-2-from-7-are-13.html">Autobiographical Blogs (2 from 7 are 13 +)</a> · <a href="https://nov9blogg9.blogspot.com/2023/11/small-blogs.html">Small blogs</a>
<br /><br />
<dl><dt>On the blogs
<dd>and on getting things performed, printed, paid
<br /><br />
<a href="https://hglundahlsmusik.blogspot.com/2009/08/general-index.html">General index</a> 2,39 k · <a href="https://hglundahlsmusik.blogspot.com/2008/11/whats-deal-cest-quoi-ce-truc.html">What's the deal? C'est quoi ce truc?</a> 762 · <a href="https://hglundahlsmusik.blogspot.com/2011/10/i-erased-one-message-here-is-why.html">I erased one message. Here is why:</a> 598
<br /><br />
<a href="https://recipesfromhomeandabroad.blogspot.com/2008/11/impressa-in-sedecimo.html">impressa in octavo</a> 2,92 k · <a href="https://recipesfromhomeandabroad.blogspot.com/p/printing-books-imprimer-des-livres.html">Printing Books / Imprimer des Livres</a> 589 · <a href="https://recipesfromhomeandabroad.blogspot.com/2016/09/from-blog-posts-or-notebook-to-book.html">From Blog Posts or Notebook to Book : Part II, from reproducible originals to books you can turn the pages of</a> 311
<br /><br />
<a href="https://recipesfromhomeandabroad.blogspot.com/2011/08/booklets-if-you-can-have-double-sided.html">booklets if you can have double sided photocopies - and aerosol stencil</a> 296 · <a href="https://recipesfromhomeandabroad.blogspot.com/2011/04/comment-donner-un-long-lien-dinternet.html">Comment donner un long lien d'internet ...</a> 263 · <a href="https://recipesfromhomeandabroad.blogspot.com/2016/08/from-blog-posts-or-notebook-to-book.html">From Blog Posts or Notebook to Book : Part I, up to reproducible originals</a> 185 · <a href="https://recipesfromhomeandabroad.blogspot.com/2014/01/instructions-about-printing.html">Instructions about Printing</a> 168
<br /><br />
<dt>musicalia
<dt>compositions and criticism and theory
<dd>Toutes les périodes / all times 117897
<br /><br />
<a href="https://hglundahlsmusik.blogspot.com/2010/06/blog-post.html">Sonata Nemetodurica</a> 3,08 k · <a href="https://hglundahlsmusik.blogspot.com/2022/08/why-burl-ives-didnt-give-chords-for-all.html">Why Burl Ives Didn't Give Chords for All Keys</a> 1,83 k · <a href="https://hglundahlsmusik.blogspot.com/2019/06/what-was-trobar-clus.html">What was Trobar Clus?</a> 1,79 k · <a href="https://hglundahlsmusik.blogspot.com/2018/02/ceci-est-metrique-en-francais.html">Ceci est métrique en français</a> 1,79 k · <a href="https://hglundahlsmusik.blogspot.com/2008/11/schenker-and-couperin-in-hypodoris-new.html">Schenker and Couperin in Hypodoris (new scan)</a> 1,38 k
<br /><br />
<a href="https://hglundahlsmusik.blogspot.com/p/here-are-three-chords.html">"Here are three chords ..."</a> 1,26 k · <a href="https://hglundahlsmusik.blogspot.com/p/dm-guitar.html">Dm (guitar)</a> 1,23 k · <a href="https://hglundahlsmusik.blogspot.com/p/c-guitar.html">C (guitar)</a> 1,2 k · <a href="https://hglundahlsmusik.blogspot.com/p/g7-guitar.html">G7 (guitar)</a> 1,17 k · <a href="https://hglundahlsmusik.blogspot.com/p/la-sonate-et-la-sonatine.html">La Sonate et la Sonatine</a> 1,1 k
<br /><br />
<a href="https://hglundahlsmusik.blogspot.com/2022/08/arpeggi-jumping-one-string.html">Arpeggi Jumping One String</a> 1,03 k · <a href="https://hglundahlsmusik.blogspot.com/2019/10/andantino-de-bonsergent-tourne.html">Andantino de Bonsergent (tourné correctement)</a> 992 · <a href="https://hglundahlsmusik.blogspot.com/2019/10/rondeau-de-nanterre-tourne-correctement.html">Rondeau de Nanterre (tourné correctement)</a> 977 · <a href="https://hglundahlsmusik.blogspot.com/2017/10/i-looked-for-johann-sebastian-bach-on.html">I looked for Johann Sebastian Bach on ancestry.com</a> 977 · <a href="https://hglundahlsmusik.blogspot.com/2018/07/polska-fran-paris.html">Polska från Paris</a> 869
<br /><br />
<a href="https://hglundahlsmusik.blogspot.com/2021/03/leglise-crea-la-musique-profane-comme.html">L'église créa la musique profane, comme sous-produit</a> 852 · <a href="https://hglundahlsmusik.blogspot.com/2018/07/andantino-de-bonsergent.html">Andantino de Bonsergent</a> 840 · <a href="https://hglundahlsmusik.blogspot.com/2018/11/some-of-music-lovers-here-may-know-this.html">Some of the Music Lovers Here May Know This Already</a> 528 · <a href="https://hglundahlsmusik.blogspot.com/2018/06/read-article-on-musical-tastes.html">Read an Article on Musical Tastes</a> 520
<br /><br />
<a href="https://hglundahlsmusik.blogspot.com/2018/09/sonata-nemetodurica-secunda.html">Sonata Nemetodurica Secunda</a> 479 · <a href="https://hglundahlsmusik.blogspot.com/2010/10/between-major-and-minor.html">Between major and minor ...</a> 472 · <a href="https://hglundahlsmusik.blogspot.com/2017/04/england-is-still-musical.html">England is Still Musical!</a> 453
<br /><br />
<dt>gm b1 lou
<dt>criticism of comics / pop culture, FR
<dd>Toutes les périodes / all times 112355
<br /><br />
<a href="https://gmb1lou.blogspot.com/2021/04/il-y-des-gens-ce-qui-leur-gache-des.html">Il y a des gens, ce qui leur gâche des média populaires est la question raciale</a> 5,36 k · <a href="https://gmb1lou.blogspot.com/2021/10/robin-des-bois-rene-thevenin-et-walt.html">Robin des Bois : René Thévenin et Walt Disney</a> 5,28 k · <a href="https://gmb1lou.blogspot.com/2020/06/degringolade-morale-de-dupuis.html">Dégringolade morale de Dupuis</a> 4,54 k · <a href="https://gmb1lou.blogspot.com/2022/01/non-le-street-art-nest-pas-juste-un.html">Non, le street art n'est pas juste un boys' club</a> 4,09 k · <a href="https://gmb1lou.blogspot.com/2019/07/bravo-emile.html">Bravo, Émile</a> 3,79 k
<br /><br />
<a href="https://gmb1lou.blogspot.com/2021/09/aussi-direct-que-les-amap-davantage.html">Aussi direct que les AMAP, davantage libre pour le consommateur : La Ruche que dit Oui !</a> 3,75 k · <a href="https://gmb1lou.blogspot.com/2021/03/2-paris-gallerie-43.html">2 * Paris à Gallerie 43</a> 3,55 k · <a href="https://gmb1lou.blogspot.com/2020/06/clement-reinaud-en-la-galerie-sabine.html">Clément Reinaud en La galerie Sabine Bayasli</a> 2,35 k · <a href="https://gmb1lou.blogspot.com/2020/12/alain-sanders-donna-une-critique.html">Alain Sanders donna une critique favorable de Spirou chez les Soviets</a> 2,28 k · <a href="https://gmb1lou.blogspot.com/2019/08/souvenirs-dun-elficologue.html">Souvenirs d'un Elficologue</a> 1,39 k
<br /><br />
<a href="https://gmb1lou.blogspot.com/2022/01/rahan-bi-trimestriel-2-comprend-aussi.html">Rahan bi- / trimestriel 2 - comprend aussi Mbong ...</a> 1,34 k · <a href="https://gmb1lou.blogspot.com/2019/05/persee-verites-possibles-mensonge.html">Persée - vérités possibles, mensonge certain</a> 1,13 k · <a href="https://gmb1lou.blogspot.com/2020/10/gallerie-43-adresse-43-rue-vandrezanne.html">Gallerie 43, adresse 43, rue Vandrezanne, XIII quartier Butte aux Cailles, vernissage vendredi</a> 1,06 k · <a href="https://gmb1lou.blogspot.com/2022/10/rahan-encore-trimestriel-n-3.html">Rahan, encore - trimestriel n° 3</a> 1,05 k · <a href="https://gmb1lou.blogspot.com/2019/10/les-aigles-decapitees-cycle-deux.html">les aigles décapitées : cycle deux</a> 642
<br /><br />
<a href="https://gmb1lou.blogspot.com/2019/08/le-monde-des-ados.html">Le Monde des Ados</a> 598 · <a href="https://gmb1lou.blogspot.com/2019/10/les-aigles-decapitees.html">les aigles décapitées</a> 578 · <a href="https://gmb1lou.blogspot.com/2020/10/belle-reference-leleve-ducobu.html">Belle référence à l'élève Ducobu</a> 578 · <a href="https://gmb1lou.blogspot.com/2022/04/histoires-vraies-n-324-fevrier-2022.html">Histoires vraies N° 324, février 2022 : Pierre le Grand</a> 551 · <a href="https://gmb1lou.blogspot.com/2019/05/gratitude-et-publicite.html">Gratitude et Publicité</a> 537
<br /><br />
<dt>Recipes from Home and Abroad
<dd>Toutes les périodes / all times 51243
<br /><br />
<a href="https://recipesfromhomeandabroad.blogspot.com/2015/01/les-artistes-peintres-graveurs-avec-un.html">Les artistes (peintres, graveurs ...) - avec un peu de patrons ou mécènes et autres connexes</a> 260 · <a href="https://recipesfromhomeandabroad.blogspot.com/2008/11/le-got-de-garibaldi.html">Le goût de Garibaldi</a> 218 · <a href="https://recipesfromhomeandabroad.blogspot.com/2009/10/sudoku-planifier-en-avanceplan-in.html">Sudoku, planifier en avance/plan in advance</a> 200 · <a href="https://recipesfromhomeandabroad.blogspot.com/2010/12/salade-st-eustache-hier-mon-analyse.html">Salade St Eustache (hier, mon analyse)</a> 178 · <a href="https://recipesfromhomeandabroad.blogspot.com/2008/11/sudoku-construction-steg-fr-steg.html">Sudoku-construction (steg för steg)</a> 169
<br /><br />
<a href="https://recipesfromhomeandabroad.blogspot.com/2008/11/holy-geometry.html">Holy Geometry</a> 164 · <a href="https://recipesfromhomeandabroad.blogspot.com/2014/07/they-call-it-schorle-or-gspritzt.html">They call it Schorle or G'spritzt</a> 161 · <a href="https://recipesfromhomeandabroad.blogspot.com/2018/09/how-does-one-use-diagrams-for-webs-or.html">How does one use diagrams for webs or similar anyway?</a> 129 · <a href="https://recipesfromhomeandabroad.blogspot.com/2009/03/cake-without-equatorial-imports-or.html">Cake without equatorial imports or chemicals</a> 126 · <a href="https://recipesfromhomeandabroad.blogspot.com/2012/11/ce-nest-pas-malgre-le-nom-du-hareng-saur.html">Ce n'est pas - malgré le nom - du hareng saur</a> 114
<br /><br />
<a href="https://recipesfromhomeandabroad.blogspot.com/2011/11/cocoa-mulch-avoid-if-you-have-dog.html">Cocoa mulch - avoid if you have a dog</a> 104 · <a href="https://recipesfromhomeandabroad.blogspot.com/2011/11/can-sausage-contain-104-meat.html">Can a sausage contain 104% meat?</a> 94 · <a href="https://recipesfromhomeandabroad.blogspot.com/2015/01/if-ever-you-throw-away-old-shoes-save.html">If ever you throw away old shoes – save the shoestrings !</a> 91 · <a href="https://recipesfromhomeandabroad.blogspot.com/2017/06/comment-expliquer-kroppkakor-un.html">Comment expliquer KROPPKAKOR à un francophone?</a> 89</dl>
<br /><br />
<table><tr valign="top"><td>France
<br />37 k + 70,1 k + 5,26 k = 112,36 k
<br />États-Unis
<br />11,5 k + 21,3 k + 13,2 k = 46 k
<br />Russie
<br />8,1 k + 12,5 k + 3,88 k = 24,48 k
<br />Allemagne
<br />1,64 k + 2,39 k + 5,72 k = 9,75 k
<br />Singapour
<br />3,42 k + 2,53 k + 3,55 k = 9,5 k<td> <td>Pays-Bas
<br />4,09 k + 2,02 k + 3,21 k = 9,32 k
<br />Ukraine
<br />1,66 k + 2,92 k + 4,52 k = 9,1 k
<br />Suède
<br />1,45 k + 1,37 k + 1,9 k = 4,72 k
<br />Inde
<br />1,25 k
<br />Autre
<br />12,4 k + 6,62 k + 3,41 k = 22,43 k</tr>
<tr><td> </tr>
<tr><td colspan="3">Sous-total A
<br />112,36 k + 46 k + 24,48 k + 9,75 k + 9,5 k + 9,32 k + 9,1 k + 4,72 k + 1,25 k + 22,43 k = 248,91 k</tr>
<tr><td> </tr>
<tr valign="top"><td>Canada
<br />756 = 0,76 k
<br />6,86 k + 4,06 k + 0,76 k = 11,68 k<td> <td>Japon
<br />445 = 0,45 k
<br />4,11 k + 0,45 k = 4,56 k
<br />Royaume-Uni
<br />406 + 649 = 1055 = 1,06 k
<br />1,31 k + 1,06 k = 2,37 k</tr>
<tr><td> </tr>
<tr><td colspan="3">Sous-total B
<br />4,56 k + 2,37 k + 11,68 k = 18,61 k</tr>
<tr><td> </tr>
<tr valign="top"><td>Roumanie
<br />447 + 895 + 982 = 2324
<br />Pologne
<br />244 + 999 + 696 = 1939
<br />Turquie
<br />795 + 850 = 1645
<br />Émirats arabes unis
<br />664 + 528 + 446 = 1638
<br />Indonésie
<br />453 + 559 + 510 = 1522<td> <td>Turkménistan
<br />919
<br />Belgique
<br />360 + 357 = 717
<br />Chine
<br />186 + 398 = 584
<br />Corée du Sud
<br />478
<br />Espagne
<br />182
<br />région indéterminée
<br />734 + 497 + 867 = 2098</tr>
<tr><td> </tr>
<tr><td colspan="3">Sous-total C
<br />2324 + 1939 + 1645 + 1638 + 1522 + 919 + 717 + 584 + 478 + 182 + 2098 = 14046 = 14,05 k
<br /><br />
Total
<br />248,91 k + 18,61 k + 14,05 k = 281,57 k</tr></table>
<br /><br />
117 k 897 + 112 k 355 + 51 k 243 = 281 k 495 ~ 281,57 kHans Georg Lundahlhttp://www.blogger.com/profile/01055583255516264955noreply@blogger.com0tag:blogger.com,1999:blog-5178866099389178788.post-7339246441667812722023-09-04T14:11:00.002-07:002023-09-04T14:11:08.318-07:00Emprunt mélodique ?<br />
<a href="https://www.youtube.com/watch?v=HLib4lIbdks">"Le Chant des Partisans" (Résistance française)
<br /><i>Everything French, 27 oct. 2019</i>
<br />https://www.youtube.com/watch?v=HLib4lIbdks</a>
<br /><br />
<a href="https://www.youtube.com/watch?v=hyIGnu5ntUo">Kritiko syrtaki
<br /><i>Georgios Koutsourelis, 19 févr. 2017</i>
<br />https://www.youtube.com/watch?v=hyIGnu5ntUo</a>Hans Georg Lundahlhttp://www.blogger.com/profile/01055583255516264955noreply@blogger.com0tag:blogger.com,1999:blog-5178866099389178788.post-75352807626531439462023-07-25T12:40:00.001-07:002023-07-25T12:40:05.681-07:00Cannot Withhold This Masterpiece by Alma Deutscher<br />
<a href="https://www.youtube.com/watch?v=JrMoI-2Y9bM">Cendrillon par ALMA DEUTSCHER. Première partie
<br /><i>AlmaDeutscher | 22 juil. 2023</i>
<br />https://www.youtube.com/watch?v=JrMoI-2Y9bM</a>
<br /><br />
<a href="https://www.youtube.com/watch?v=4ssaj7-I4_A">Cinderella (Part2) by ALMA DEUTSCHER
<br /><i>AlmaDeutscher | 22 July2023</i>
<br />https://www.youtube.com/watch?v=4ssaj7-I4_A</a>Hans Georg Lundahlhttp://www.blogger.com/profile/01055583255516264955noreply@blogger.com0tag:blogger.com,1999:blog-5178866099389178788.post-29862195010302607232023-06-01T01:10:00.003-07:002023-06-01T01:10:43.582-07:00Sonatine β pour Violon, Ut maj<br />
<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgw6j0QCUL0kEcloCZhtftl44d6zJi0p9nskrWqgHS2mj4hlY-lLaa-vUVGJzBVagRgSU5quYkTaJf2m7uVo9cBp7J2ITkBFgHRhU8Y5EUROKX4sKF0GLIui6LLIxTj_sT6UxM2-cN5URXEdJtVdIPcjtVoLbJhM4zJKPfiKI5jZ7WJDVOtiXeM3vrp/s829/sonate.JPG" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="320" data-original-height="829" data-original-width="606" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgw6j0QCUL0kEcloCZhtftl44d6zJi0p9nskrWqgHS2mj4hlY-lLaa-vUVGJzBVagRgSU5quYkTaJf2m7uVo9cBp7J2ITkBFgHRhU8Y5EUROKX4sKF0GLIui6LLIxTj_sT6UxM2-cN5URXEdJtVdIPcjtVoLbJhM4zJKPfiKI5jZ7WJDVOtiXeM3vrp/s320/sonate.JPG"/></a></div>Hans Georg Lundahlhttp://www.blogger.com/profile/01055583255516264955noreply@blogger.com0tag:blogger.com,1999:blog-5178866099389178788.post-84190591161475839782023-05-03T02:36:00.007-07:002023-05-31T03:22:19.168-07:00If Anyone Is Paranoid Enough to Believe I Compose by ChatGPT? Watch This!<br />
<b>musicalia:</b><a href="https://hglundahlsmusik.blogspot.com/2023/02/posting-link-while-video-in-premiere.html">Posting link, while video in premiere : Can We Write Songs "From Theory"? [with Diana de Cabarrus] (by Tommaso Zillio)</a> · <a href="https://hglundahlsmusik.blogspot.com/2023/02/one-disagreement-with-tommaso.html">One Disagreement with Tommaso</a> · <a href="https://hglundahlsmusik.blogspot.com/2023/05/if-anyone-is-paranoid-enough-to-believe.html">If Anyone Is Paranoid Enough to Believe I Compose by ChatGPT? Watch This!</a> · <b>Assorted retorts from yahoo boards and elsewhere:</b> <a href="https://assortedretorts.blogspot.com/2023/05/what-is-music-theory-really-is-it-any.html">What is Music Theory, Really? Is It Any Help? Yes, If the Right One</a>
<br /><br />
<a href="https://www.youtube.com/watch?v=CGIc--3gDRM">Can ChatGPT write good harmony?
<br /><i>Marc Evanstein / music․py, 7 Jan. 2023</i>
<br />https://www.youtube.com/watch?v=CGIc--3gDRM</a>
<br /><br />
Marc Evanstein wants patrons for his patreon.
<br /><br />
Feel free to oblige, if you have a credit card./HGLHans Georg Lundahlhttp://www.blogger.com/profile/01055583255516264955noreply@blogger.com0tag:blogger.com,1999:blog-5178866099389178788.post-73292292665725537072023-02-01T10:23:00.003-08:002023-05-31T03:21:09.060-07:00One Disagreement with Tommaso<br />
<b>musicalia:</b><a href="https://hglundahlsmusik.blogspot.com/2023/02/posting-link-while-video-in-premiere.html">Posting link, while video in premiere : Can We Write Songs "From Theory"? [with Diana de Cabarrus] (by Tommaso Zillio)</a> · <a href="https://hglundahlsmusik.blogspot.com/2023/02/one-disagreement-with-tommaso.html">One Disagreement with Tommaso</a> · <a href="https://hglundahlsmusik.blogspot.com/2023/05/if-anyone-is-paranoid-enough-to-believe.html">If Anyone Is Paranoid Enough to Believe I Compose by ChatGPT? Watch This!</a> · <b>Assorted retorts from yahoo boards and elsewhere:</b> <a href="https://assortedretorts.blogspot.com/2023/05/what-is-music-theory-really-is-it-any.html">What is Music Theory, Really? Is It Any Help? Yes, If the Right One</a>
<br /><br />
He said Jazz, Metal, etc, could be distinguished from, not just a specific Classical style, like Baroque, Viennese Classic, Romantic, but all of common practise. I e Classical from Baroque to Romanticism.
<br /><br />
On one item, I'd actually concede the point. Much modern popular music actually does have a direction towards the dominant rather than from dominant to tonic. But that, in turn, is a return to something which was very currently done in Medieval and Renaissance music, it was called plagal cadence.
<br /><br />
Apart from that, and for tunes that do not use this particular conceit, I would say, common practise extends from Baroque over Romanticism, over vaudeville, to modern pop. Any type, jazz, country, schlager, metal, rockabilly, has a high degree of common practise.
<br /><br />
Atonal and other experimental styles are actually less classical than modern popular music. Aniara by Blomdahl or The Rite of Spring by Stravinski have less in common with the Opera and Operette I head in Vienna, than Hammerstein or Bernstein have.
<br /><br />
So, like Romanticism, and unlike atonal, modern pop is a recognisable widening of the constraints inherent in common practise, but not a rupture from them. However, any given common practise style would be different from any given modern pop style, as having different extra constraints./HGLHans Georg Lundahlhttp://www.blogger.com/profile/01055583255516264955noreply@blogger.com0tag:blogger.com,1999:blog-5178866099389178788.post-81706792081813294802023-02-01T09:40:00.006-08:002023-05-31T03:23:01.222-07:00Posting link, while video in premiere : Can We Write Songs "From Theory"? [with Diana de Cabarrus] (by Tommaso Zillio)<br />
<b>musicalia:</b><a href="https://hglundahlsmusik.blogspot.com/2023/02/posting-link-while-video-in-premiere.html">Posting link, while video in premiere : Can We Write Songs "From Theory"? [with Diana de Cabarrus] (by Tommaso Zillio)</a> · <a href="https://hglundahlsmusik.blogspot.com/2023/02/one-disagreement-with-tommaso.html">One Disagreement with Tommaso</a> · <a href="https://hglundahlsmusik.blogspot.com/2023/05/if-anyone-is-paranoid-enough-to-believe.html">If Anyone Is Paranoid Enough to Believe I Compose by ChatGPT? Watch This!</a> · <b>Assorted retorts from yahoo boards and elsewhere:</b> <a href="https://assortedretorts.blogspot.com/2023/05/what-is-music-theory-really-is-it-any.html">What is Music Theory, Really? Is It Any Help? Yes, If the Right One</a>
<br /><br />
<a href="https://www.youtube.com/watch?v=KovipDwwpNc">Can We Write Songs "From Theory"? [with Diana de Cabarrus]
<br /><i>MusicTheoryForGuitar, 1.II.2023</i>
<br />https://www.youtube.com/watch?v=KovipDwwpNc</a>Hans Georg Lundahlhttp://www.blogger.com/profile/01055583255516264955noreply@blogger.com0tag:blogger.com,1999:blog-5178866099389178788.post-61977911691498654202023-01-24T12:28:00.009-08:002023-01-24T12:28:49.522-08:00St. Caecilia - Pray for Us!<br />
<a href="https://www.youtube.com/watch?v=7XEEsO0_6lc">How a Pope discovered the Incorrupt Remains of St. Caecilia
<br /><i>Jerome Chong, 19 Jan. 2023</i>
<br />https://www.youtube.com/watch?v=7XEEsO0_6lc</a>Hans Georg Lundahlhttp://www.blogger.com/profile/01055583255516264955noreply@blogger.com0tag:blogger.com,1999:blog-5178866099389178788.post-79724069775458463202023-01-17T10:32:00.006-08:002023-01-17T10:36:09.127-08:00Elvis and the Other Narcissist We Like (Wolfgang)<br />
<a href="https://www.youtube.com/watch?v=gk3LXQxmJ6k">Elvis Presley - Guadalajara (Videoclip HD)
<br /><i>felaugyou2, 9 Febr. 2019</i>
<br />https://www.youtube.com/watch?v=gk3LXQxmJ6k</a>
<br /><br />
<a href="https://www.youtube.com/watch?v=U_bI6hlINok">Il barbiere di Siviglia "Fígaro"
<br /><i>jhoiyahoo, 14 Oct. 2010</i>
<br />https://www.youtube.com/watch?v=U_bI6hlINok</a>
<br /><br />
Oh, was that Rossini? I thought it was <a href="https://www.youtube.com/watch?v=cN0-kbBSDHY">Le Nozze</a> ... (inaccurate about feudalism, but arguably too accurate about nobles of the 18th C.)/HGLHans Georg Lundahlhttp://www.blogger.com/profile/01055583255516264955noreply@blogger.com0tag:blogger.com,1999:blog-5178866099389178788.post-9048474442440701832022-12-28T06:00:00.003-08:002023-06-01T01:12:09.425-07:00Sonatine pour Violon α<br />
<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheXM19yOQiB9w-npwsuzCt3GQPstGRCXeqz2jo8V1s_TORhpu90POoebVcKeW7xxU_e8vthCd-8eGBAO04yOWycX-VqfqClc6T2fQMC-JM8iHrAajsQLU9yjz2AhOh2iG9CqDqxg1mRcmaBt_yJ0V6zBHGtLJCAVaiBUiYuCyH3SL5xPOLh_6xRc_R/s1755/scan_11_22_22_22_33_28_20221122223321_page-0001.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="320" data-original-height="1755" data-original-width="1242" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheXM19yOQiB9w-npwsuzCt3GQPstGRCXeqz2jo8V1s_TORhpu90POoebVcKeW7xxU_e8vthCd-8eGBAO04yOWycX-VqfqClc6T2fQMC-JM8iHrAajsQLU9yjz2AhOh2iG9CqDqxg1mRcmaBt_yJ0V6zBHGtLJCAVaiBUiYuCyH3SL5xPOLh_6xRc_R/s320/scan_11_22_22_22_33_28_20221122223321_page-0001.jpg"/></a></div>
<br /><br />
<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjO6cIip3es4_3WBmyOrmRw59dd-qpilKUvaLLPg18Wbe0IFXCoYIyOl-nHI7n5D12KHBUlO2ZgVX7-oTs9bA4zXrxV2teiV5VBXihZuOv0t2iG9dtlCAZ6HgtPTwFsJO8cX-MLBbXOrD1MDeupU0V8mp_vDZL5Zqly5Vuu5PYiY018vWXgJaYQpep9/s1755/scan_11_22_22_22_33_28_20221122223321_page-0002.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="320" data-original-height="1755" data-original-width="1242" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjO6cIip3es4_3WBmyOrmRw59dd-qpilKUvaLLPg18Wbe0IFXCoYIyOl-nHI7n5D12KHBUlO2ZgVX7-oTs9bA4zXrxV2teiV5VBXihZuOv0t2iG9dtlCAZ6HgtPTwFsJO8cX-MLBbXOrD1MDeupU0V8mp_vDZL5Zqly5Vuu5PYiY018vWXgJaYQpep9/s320/scan_11_22_22_22_33_28_20221122223321_page-0002.jpg"/></a></div>Hans Georg Lundahlhttp://www.blogger.com/profile/01055583255516264955noreply@blogger.com0tag:blogger.com,1999:blog-5178866099389178788.post-3674469378483332962022-12-07T10:47:00.005-08:002022-12-07T10:47:22.317-08:00Sonatine pour Violon α - Upcoming<br />
The manuscript has been sent to SPUC, to get legal funds for "Lydia" who was pushed into an abortion by an evil doctor and who regrets it and is suing him.
<br /><br />
On 15:00 Paris time, Holy Innocents, this sonatine will appear on this site, and be useable for all purposes except those I specifically exclude (such as adding text or drama without my consent - consent already there for SPUC - and such as using it for collecting money for Téléthon, March of Dimes or other medical research campaigns that support aborting the ones risking birth with genetic defects, as if that were worse than being aborted)./HGLHans Georg Lundahlhttp://www.blogger.com/profile/01055583255516264955noreply@blogger.com0tag:blogger.com,1999:blog-5178866099389178788.post-15748170421873008462022-08-17T11:15:00.005-07:002022-08-17T11:16:56.506-07:00Why Burl Ives Didn't Give Chords for All Keys<br />
<a href="https://hglundahlsmusik.blogspot.com/2022/08/what-are-open-string-chords.html">What are Open String Chords?</a> · <a href="https://hglundahlsmusik.blogspot.com/2022/08/arpeggi-jumping-one-string.html">Arpeggi Jumping One String</a> · <a href="https://hglundahlsmusik.blogspot.com/2022/08/summing-up-use.html">Summing Up the Use</a> · <a href="https://hglundahlsmusik.blogspot.com/2022/08/why-burl-ives-didnt-give-chords-for-all.html">Why Burl Ives Didn't Give Chords for All Keys</a>
<br /><br />
The obvious answer is, the Cowboys whose music he wrote down didn't use all keys.
<br /><br />
But there is a more profound answer.
<br /><br />
A guitar can be tuned in even temperament. Third fret will be the square root of the square root of 1/2 the string lenth, and first fret will be the cube root of that.
<br /><br />
But it can also be tuned in some kind of pure temperament, Pythagorean or Just - the first has pure fifths "all along", the other has pure thirds.
<br /><br />
This means, they will not work equally well for all of the keys. There is an enharmonic "fifth" which is not a pure fifth in either case - and you don't want that one into your tonic!
<br /><br />
So, I think the keys he explores are eight keys - one flat to two sharps in the signature, major or minor.
<br /><br />
F - C - G - D and Dm - Am - Em - Bm.
<br /><br />
I have only given four common chords for the key of G major. There is in fact a chord progression, called the "Anatole" in France, which you can't do with only these, to the "Anatole" in G major, you need ...
<br /><br />
/: G Em Am D7 :/
<br /><br />
And as you can see, I left Em out. And I am leaving it out. I am not giving, unlike Burl Ives, chords for all they keys, and I only provided these as a service for beginners.
<br /><br />
If you learn the strings and frets for the notes, and if you learn the notes of chords, you will be able to make similar "open string chords" for the chords I did not provide.
<br /><br />
Rock bands (at least those closer to metal) typically instead have guitars played with touching frets fairly far down, perhaps around 12th fret or so, and not arranged in chords always, and chords made by arranging notes of them between different guitarists ... another thing I am not showing.
<br /><br />
Hans Georg Lundahl
<br />Paris
<br />Octave of St. Lawrence
<br />17.VIII.2022Hans Georg Lundahlhttp://www.blogger.com/profile/01055583255516264955noreply@blogger.com0tag:blogger.com,1999:blog-5178866099389178788.post-91927220865667161202022-08-15T04:25:00.010-07:002022-08-15T04:25:58.929-07:00Happy to Hear Rose of Tralee from the Kelly's<br />
<a href="https://www.youtube.com/watch?v=h_EFSZYi3d4">The Kelly Family - Rose of Tralee & Clavelitos (Zum doppelten Engel SRF 09.06.1979)
<br /><i>14 Aug. 2022 | WeGotKellyLove</i>
<br />https://www.youtube.com/watch?v=h_EFSZYi3d4</a>
<br /><br />
1979, they sing Rose of Tralee - seven years later, 1986, I get to go to Tralee. I took the latest night train from Dublin, which was going to Tralee, I was hoping (Irishmen will laugh) to get to Tralee in the morning. I arrived at midnight and was taken into the kitchen of a couple coming home from the bar. After Tralee I go to Killarney, where I buy a boyscout rosary and a booklet about the Rosary and somewhat later, in Salzburg, Elisabeth-Kirche while waiting for Das Gauklermärchen on Elisabeth-Bühne, I pray my first rosary.
<br /><br />
The other song, Clavelitos, highlights my competence and incompetence in Spanish : "clavelitos de mi corazón" means "little keys to my heart" but apart from "poquito" I could not make out much of the verses. I probably could if I saw it written.
<br /><br />
While my Classic Music owes much in the form (Sonata form etc) to - music theory of Classic music - its melodic and rhythmic choices probably owe some things to Cowboy songs, Irish songs, Spanish songs or more often Latin American ones, German and Swedish folk music (a very <i>failed</i> song of mine, the melody of which I relegated posthumously to guitar accompaniment, with sung melody to be improvised, was an inversion of "summ, summ, summ, Bienchen summ herum, ei wir tun dir nichts zuleide, flieg nur raus in Wald und Heide, summ, summ, summ, Bienchen summ herum" ...). That and some Church music of Swedish Church, Salvation Army and Catholic Diocese of Stockholm by far outnumbered the complete scores I could read in Classic music - while Die Forellquintette was certainly one of them .../HGLHans Georg Lundahlhttp://www.blogger.com/profile/01055583255516264955noreply@blogger.com0tag:blogger.com,1999:blog-5178866099389178788.post-38786643013629215672022-08-12T09:35:00.005-07:002022-08-17T11:16:45.601-07:00Summing Up the Use<br />
<a href="https://hglundahlsmusik.blogspot.com/2022/08/what-are-open-string-chords.html">What are Open String Chords?</a> · <a href="https://hglundahlsmusik.blogspot.com/2022/08/arpeggi-jumping-one-string.html">Arpeggi Jumping One String</a> · <a href="https://hglundahlsmusik.blogspot.com/2022/08/summing-up-use.html">Summing Up the Use</a> · <a href="https://hglundahlsmusik.blogspot.com/2022/08/why-burl-ives-didnt-give-chords-for-all.html">Why Burl Ives Didn't Give Chords for All Keys</a>
<br /><br />
First, I'll give you another version jumping two strings, not two between the two lowest pitched strings, but alternating, so both low to lower mid and lower mid to higher mid voice are larger spaced.
<br /><br />
<table><tr><td><td> <th>E<td> <th>A<td> <th>D<td> <th>G<td> <th>B<td> <th>E
<tr><td>
<tr><th>C<td> <td>0<td> <td>X<td> <td>3<td> <td>X<td> <td>1<td> <td>3
<tr><th>Am<td> <td>0<td> <td>X<td> <td>5<td> <td>X<td> <td>1<td> <td>0
<tr><th>Am<td> <td>0<td> <td>X<td> <td>5<td> <td>X<td> <td>1<td> <td>5
<tr><th>G<td> <td>3<td> <td>X<td> <td>0<td> <td>X<td> <td>0<td> <td>3
<tr><th>D7<td> <td>2<td> <td>X<td> <td>0<td> <td>X<td> <td>1<td> <td>5</table>
<br /><br />
Why would the big gap be either between two lowest voices or two voices lowest and two voices midmost, in a four voice setting? Because that is good voice leading.
<br /><br />
Now, one thing more. Just because two chord variants are on the same one of these seven tables doesn't mean they are the ones you have to alternate when playing a tune or accompaniment.
<br /><br />
You try it out, between G - Am - D7 - G, G - Am - G, G - C - D7 - G, or any other sequence you want, which versions of each chord, irrespective of on what table, fit best with each version of the other ones.
<br /><br />
If you had got the book by Burl Ives, Songs for Pickin' and Singin', he would have given you more or less. He would already have tested out which versions of G - Am - D7 - G go together best, so you wouldn't have need to test it out, and he would be giving such chords for lots of other keys than G major as well, that way, he would be giving you more than I did. But I have given you more versions than he did, that way I give you more of a choice - within G major./HGL
<br /><br />
PS, there are lots of other styles than that of Burl Ives that use four chord arpeggi on the guitar. See for instance, Elvis Presley, <i>"Wise men say 'only fools fall in love' but I can't help falling in love with you ..."</i>
<br /><br />
PPS - if you want to be an expert guitarist, putting all of your effort or even a good portion of it into open string chords is arguably lousy advice. Veritasium did a video on four things it takes to be an expert - apart from 10 000 hours. One of them is "deliberate practise" known also as pushing your limits. For this purpose, the hard on your fingers fully classical G chord for strumming all six strings is very ideal as a start. Burl Ives' in his "Songs for Pickin and Singin" taught guitar to people nearly only using it for keeping the key while you sing ... for people putting their main effort into singing and keeping the guitar slightly amateur or even very amateur. But one thing is sure in music : even amateur level preformances can sound good - unless you stay too long and start noticing the lack of variety. But even that can be mended, for instance if something else (the singing) adds sufficient variety./HGLHans Georg Lundahlhttp://www.blogger.com/profile/01055583255516264955noreply@blogger.com0tag:blogger.com,1999:blog-5178866099389178788.post-8865605018391155682022-08-09T03:19:00.012-07:002022-08-17T11:17:10.309-07:00Arpeggi Jumping One String<br />
<a href="https://hglundahlsmusik.blogspot.com/2022/08/what-are-open-string-chords.html">What are Open String Chords?</a> · <a href="https://hglundahlsmusik.blogspot.com/2022/08/arpeggi-jumping-one-string.html">Arpeggi Jumping One String</a> · <a href="https://hglundahlsmusik.blogspot.com/2022/08/summing-up-use.html">Summing Up the Use</a> · <a href="https://hglundahlsmusik.blogspot.com/2022/08/why-burl-ives-didnt-give-chords-for-all.html">Why Burl Ives Didn't Give Chords for All Keys</a>
<br /><br />
If your chord jumps one string, it is five strings wide, and only one, lowermost or uppermost E, is outside.
<br /><br />
This means only two versions, higher and lower, are possible.
<br /><br />
<table><tr><td> <td> <th>E<td> <th>A<td> <th>D<td> <th>G<td> <th>B<td> <th>E
<tr><td>
<tr><th>Lower
<tr><th>C <td> <td>3<td> <td>X<td> <td>2<td> <td>0<td> <td>1<td> <td>X
<tr><th>Am<td> <td>0<td> <td>X<td> <td>2<td> <td>2<td> <td>1<td> <td>X
<tr><th>G <td> <td>3<td> <td>X<td> <td>0<td> <td>0<td> <td>0<td> <td>X
<tr><th>D7<td> <td>2<td> <td>X<td> <td>0<td> <td>2<td> <td>1<td> <td>X
<tr><td>
<tr><th>Higher
<tr><th>C <td> <td>X<td> <td>3<td> <td>X<td> <td>0<td> <td>1<td> <td>0
<tr><th>Am<td> <td>X<td> <td>0<td> <td>X<td> <td>2<td> <td>1<td> <td>0
<tr><th>G <td> <td>X<td> <td>2<td> <td>X<td> <td>0<td> <td>3<td> <td>3
<tr><th>D7<td> <td>X<td> <td>3<td> <td>X<td> <td>2<td> <td>3<td> <td>2</table>
<br /><br />
It can be noted, I love both Classic music and Cowboy music - but I know more about Classic music, that's why I write it more often./HGL
<br /><br />
What shall one say about jumping two strings. The thing I come up with for D7 lacks the root, it doubles the third, and so I recommend omitting one occurrence of the third:
<br /><br />
<table><tr><td> <td> <th>E<td> <th>A<td> <th>D<td> <th>G<td> <th>B<td> <th>E
<tr><td>
<tr><th>C <td> <td>0<td> <td>X<td> <td>X<td> <td>0<td> <td>1<td> <td>3
<tr><th>Am<td> <td>0<td> <td>X<td> <td>X<td> <td>2<td> <td>1<td> <td>0
<tr><th>G <td> <td>3<td> <td>X<td> <td>X<td> <td>0<td> <td>0<td> <td>3
<tr><th>D7<td> <td>(2)<td> <td>X<td> <td>X<td> <td>2<td> <td>1<td> <td>(2)</table>Hans Georg Lundahlhttp://www.blogger.com/profile/01055583255516264955noreply@blogger.com0tag:blogger.com,1999:blog-5178866099389178788.post-10377881435605129342022-08-08T10:49:00.009-07:002022-08-17T11:17:22.238-07:00What are Open String Chords?<br />
<a href="https://hglundahlsmusik.blogspot.com/2022/08/what-are-open-string-chords.html">What are Open String Chords?</a> · <a href="https://hglundahlsmusik.blogspot.com/2022/08/arpeggi-jumping-one-string.html">Arpeggi Jumping One String</a> · <a href="https://hglundahlsmusik.blogspot.com/2022/08/summing-up-use.html">Summing Up the Use</a> · <a href="https://hglundahlsmusik.blogspot.com/2022/08/why-burl-ives-didnt-give-chords-for-all.html">Why Burl Ives Didn't Give Chords for All Keys</a>
<br /><br />
Burl Ives gave some of those for his "Songs for Picking and Singing" - may God forgive him his having been a freemason, as much as possible, but the idea is good.
<br /><br />
Back when I was not yet Catholic, not even Lutheran, but loosely Evangelical Church Hopper, I was volunteering to learn some instrument to play in the Salvation Army. I first thought of guitar, but got stuck on a Classical G chord. Both the low E at one end and the high E at the other end are pushed down on fret three, and some chords in between higher up. This is a very uncomfortable and straining position for the left hand, arguably some barred chords are even worse, but the chord as such is a "strainer" between those who "pick up" the Classical guitar and those who don't.
<br /><br />
In German - we were in Vienna, Austria, "anstrengend" both means "taking an effort" and "straining" - while "Anstrengung" is mainly "effort." I was complaining on how the chord was "anstrengend" (straining!) and the Salvation Army officer said about any intrument taking "Anstrengung" (effort).
<br /><br />
I replied about a guitarist I had seen in the US, a friend of the last family we were staying long with, perhaps a suitor to one of the two daughters (at 9 I was obviously not his rival), and said I had seen him being "careless" - I should better have said "carefree" - and definitely effortless about where he put his left hand fingers and it sounded good. Picking on the "careless" part, the Salvation Army officer told me she didn't believe that.
<br /><br />
I ended up with a tuba instead, and was too small to blow that very well, but even so ...
<br /><br />
What was that guitarist in Anaheim doing? He was doing open string chords. One chord I am sure he <i>didn't</i> use was a Classic, full six strings, chord of G major. The one that strains the fingers so much.
<br /><br />
I will here give three versions of open string chords in G, never mind if Burl Ives used or didn't use all of them. I'll give subdominant, C, subdominant parallel, and in major keys this is also called minor double-dominant, Am, I'll give the tonic, G, and I'll give the dominant, D7.
<br /><br />
But first I will explain what is different. A Classic chord needs to be useful for quick strumming (and that is done pretty often in Salvation Army String Concerts), but the music style Burl Ives catered to was - not so much Country Western as in Dolly Parton, but more like Cowboy songs or Hillbilly. He often used some bluegrass type arpeggio.
<br /><br />
If you strum, you need a good aim to avoid hitting all six strings. If you pick arpeggi, you can do very well with four strings. I'll give versions for the four lower, four midmost and four upper strings with each chord.
<br /><br />
<table><tr><td> <th>Four Lower
<tr><td> <td>
<tr><th>C <td> <td>0<td> <td>3<td> <td>2<td> <td>0<td> <td>X<td> <td>X
<tr><th>Am<td> <td>0<td> <td>3<td> <td>2<td> <td>2<td> <td>X<td> <td>X
<tr><th>G <td> <td>3<td> <td>2<td> <td>0<td> <td>0<td> <td>X<td> <td>X
<tr><th>D7<td> <td>2<td> <td>3<td> <td>0<td> <td>2<td> <td>X<td> <td>X
<tr><td> <td>
<tr><td> <th>Four Midmost
<tr><td> <td>
<tr><th>C <td> <td>X<td> <td>3<td> <td>2<td> <td>0<td> <td>1<td> <td>X
<tr><th>Am<td> <td>X<td> <td>0<td> <td>2<td> <td>2<td> <td>1<td> <td>X
<tr><th>G <td> <td>X<td> <td>2<td> <td>0<td> <td>0<td> <td>0<td> <td>X
<tr><th>D7<td> <td>X<td> <td>0<td> <td>4<td> <td>2<td> <td>1<td> <td>X
<tr><td> <td>
<tr><td> <th>Four Higher
<tr><td> <td>
<tr><th>C <td> <td>X<td> <td>X<td> <td>2<td> <td>0<td> <td>1<td> <td>0
<tr><th>Am<td> <td>X<td> <td>X<td> <td>2<td> <td>2<td> <td>1<td> <td>2
<tr><th>G <td> <td>X<td> <td>X<td> <td>0<td> <td>0<td> <td>0<td> <td>3
<tr><th>D7<td> <td>X<td> <td>X<td> <td>0<td> <td>2<td> <td>1<td> <td>2</table>
<br /><br />
If you look at first and last versions of G, you will see how, taken together, they involve that combinations of two outermost fingers both on 3rd fret, and fingers between higher up, which stumped me so.
<br /><br />
Rock musicians who do electric guitar actually avoid all open strings, as much as possible. How do they avoid this? Well, usually they have more than one guitarist, and each takes only part of the chord ... but this wasn't rock, this was a style that is much more relaxed - and not strained for the fingers of a Classic G chord bent.
<br /><br />
I wonder if there aren't Classic musicians who have another version of G, all six strings, with fingers in between further down instead?
<br /><br />
Hans Georg Lundahl
<br />Paris
<br />St. Severus of Vienne
<br />8.VIII.2022
<br /><br />
<i>Viennae, in Gallia, sancti Severi, Presbyteri et Confessoris; qui ex India, Evangelii praedicandi causa, laboriosam peregrinationem suscepit, et, cum ad praefatam urbem devenisset, ingentem Paganorum multitudinem verbo et miraculis ad Christi fidem convertit.</i>Hans Georg Lundahlhttp://www.blogger.com/profile/01055583255516264955noreply@blogger.com0tag:blogger.com,1999:blog-5178866099389178788.post-46271392387818316972022-07-27T20:10:00.000-07:002022-07-27T20:10:00.631-07:00If Anyone were to Say "Lack of Originality" about me - Listen to Miss Alma Deutscher!<br />
<a href="https://www.youtube.com/watch?v=1VUooLGLnJY">What’s an original melody? | Your Questions | Part 4
<br /><i>26th July 2022 | AlmaDeutscher</i>
<br />https://www.youtube.com/watch?v=1VUooLGLnJY</a>Hans Georg Lundahlhttp://www.blogger.com/profile/01055583255516264955noreply@blogger.com0tag:blogger.com,1999:blog-5178866099389178788.post-10919388398694132192022-03-17T03:22:00.004-07:002022-03-17T03:22:19.807-07:00Geigende Wehmut<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEimGL2_ZmKCbEan5t6MMbN3UJbnhMndR-RKSKmt4AATptjyGLDjWL429DJXlpksUZe7ursN9RAbnEsK45M6x7zgAiHc5NvV7KyO4IyxWmH4IWe-gAnkPfjzEMEyjI_TvgVih0gnul1lhwphVVEwkQo2ZrPIROh-3nO7Auew9FtGsM5TAF9RbcXDLUJV=s3520" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="320" data-original-height="3520" data-original-width="2496" src="https://blogger.googleusercontent.com/img/a/AVvXsEimGL2_ZmKCbEan5t6MMbN3UJbnhMndR-RKSKmt4AATptjyGLDjWL429DJXlpksUZe7ursN9RAbnEsK45M6x7zgAiHc5NvV7KyO4IyxWmH4IWe-gAnkPfjzEMEyjI_TvgVih0gnul1lhwphVVEwkQo2ZrPIROh-3nO7Auew9FtGsM5TAF9RbcXDLUJV=s320"/></a></div>Hans Georg Lundahlhttp://www.blogger.com/profile/01055583255516264955noreply@blogger.com0tag:blogger.com,1999:blog-5178866099389178788.post-70886079163318888292021-03-25T04:07:00.005-07:002021-03-25T04:07:36.795-07:00L'église créa la musique profane, comme sous-produit<br />
Le Hors-Série sur La Musique dit sur le Grégorien, en citant Dom Le Feuvre, à la page 5, par Jean Fournée (Una Voce) :
<br /><br />
<blockquote>Ce chant est si proprement sacré, qu'il est impossible de le plier à un usage profane.</blockquote>
<br /><br />
Vrai, mais ce n'était peut-être pas encore le cas à l'époque de St. Grégoire.
<br /><br />
Il y a une autre musique, plus tardive, qu'on confond parfois avec le grégorien, celle de Dies Irae, de Tantum Ergo, de Rosa Rorans, et qui devait avoir été assez proche de la musique profane courtoise à la même époque (env. 1200). Par contre, la musique profane va devoir évoluer dès que l'Église interdira à des musiciens profanes de copier les mélodies de l'Église.
<br /><br />
Pour le grégorien proprement dit, qui est plus vieux, c'est possible qu'on ait choisie la mélodie synagogale avec un peu moins de rhytme poussé, pour éviter ce genre de confusion, c'est aussi possible que les musiciens profanes qui sonnaient le plus grégorien ont simplement disparu avec leurs chants (au moins les mélodies) avant ceci, car à leur époque, on n'avait pas encore l'écriture musicale.
<br /><br />
Par contre, la musique profane aura le devoir d'éviter de sonner comme à l'église, et les musiciens ont fini par obéir jusqu'à inventer la tonalité en majeur et mineur pour éviter celle en mixolydien et en dorien typique pour la musique de l'église.
<br /><br />
Pour la plupart des autres cultures, je pense que la musique profane est plus proche de celle de leurs religions.
<br />/Hans Georg LundahlHans Georg Lundahlhttp://www.blogger.com/profile/01055583255516264955noreply@blogger.com0tag:blogger.com,1999:blog-5178866099389178788.post-52786619260876346632020-02-25T09:51:00.002-08:002020-02-25T09:51:38.296-08:00If I may cherry-pick a thing about Edmond Kirsch ...<br />
His* exposé is giving invalid information on music theory.
<br /><br />
If you <i>randomly</i> scramble the notes of <i>Au clair de la lune</i>, you will not get an incredibly harsh dissonance à la Wozzek, by Alban Berg. In order to get actually consistent harsh dissonance, something which hurts to hear, you have to do it deliberately, with order - just another kind of order than the good order in <i>Au clair de la lune.</i>
<br /><br />
I am here thinking especially of the song <i>Au clair de la lune,</i> it seems from my looks into Origin by Dan Brown there may be a work by - ah, yes, there is a work by Debussy which is called so. Or called <i>Clair de Lune,</i> actually. Arguably, Debussy was using more of the twelve tones than the song is using.
<br /><br />
Nevertheless, I think one twelve tone random sequence will not be consistently hars dissonance, it will vary between harsh dissonance, light dissonance, consonance and some more.
<br /><br />
<a href="https://upload.wikimedia.org/wikipedia/commons/2/20/Clair_de_lune_Debussy.png" imageanchor="1" ><img border="0" src="https://upload.wikimedia.org/wikipedia/commons/2/20/Clair_de_lune_Debussy.png" width="320" height="75" data-original-width="800" data-original-height="187" /></a>
<br /><br />
Par <a href="//commons.wikimedia.org/wiki/User:Alton" title="User:Alton">Alton</a> — <span class="int-own-work" lang="fr">Travail personnel</span>, Domaine public, <a href="https://commons.wikimedia.org/w/index.php?curid=1951701">Lien</a>
<br /><br />
Looking at these two bars, it is obvious that a scrambling will be less rhythmical, but clearly harmonic. However, this is because they are in the same harmony, only part of the key.
<br /><br />
Even so, even four bars or eight bars, the harmonic will outweigh the disharmonic. The main problem would be the irregular rhythm. Arguably, there would also be some irregularity of sequence of harmonies. But it would not sound like Wozzek. In order to sound like Wozzek, unbearable, you need to arrange a sequence of unbearable dissonances. Like, I speak from bad experience (I was trying to make a kind of homage to Stravinsky, it came out more Wozzek, horror of horrors!) pure fourth plus augmented fourth. Very effective Wozzekiser!
<br /><br />
So, no, the presumption that simple lack of order, simple chaos, is unbearable to the human mind, is wrong. It is wrong in the domaine of musical appreciation, and it is also wrong in the other domains. <i>Accepting</i> chaos (rather than seeking order) is not the utmost satisfaction of the human mind, but it is also not the horror of horrors. Indeed, it is an art which can be learned. It is a somewhat sluggish art, but it is not an excruciating horror.
<br /><br />
This means, using logic to examine questions (including either "where do we come from, where do we go" or any <i>part</i> questions leading up to it) is not giving in to some kind of trauma, it is using the equipment we have for its most noble quest.
<br /><br />
It is also simply wrong to think Edmond is not in his own right engaging in this question, since his presumption our thoughts come from our brains and its wiring, and our brains evolved, is part of the evolutionist answer to the question. I think it is the wrong answer, but as that is outside the thing about <i>Clair de Lune,</i> courtesy of Debussy, and its "random scrambling", I'll refer you to another blog:
<br /><br />
<a href="https://creavsevolu.blogspot.com/"><i>Creation vs. Evolution</i>
<br />https://creavsevolu.blogspot.com/</a>
<br /><br />
Obviously, however, in order to make the exposé about how we have a horror of randomly scrambled notes, Edmond Kirsch had to actually NOT scramble the notes randomly, but use deliberate Wozzek harmonies.
<br /><br />
Hans Georg Lundahl
<br />Bibliothèque Louise Michel
<br />St. Matthias Apostle
<br />25.II.2020
<br /><br />
* See <a href="https://en.wikipedia.org/wiki/Origin_(Brown_novel)">Origin (Brown novel)
<br /><i>From Wikipedia, the free encyclopedia</i>
<br />https://en.wikipedia.org/wiki/Origin_(Brown_novel)</a>Hans Georg Lundahlhttp://www.blogger.com/profile/01055583255516264955noreply@blogger.com0tag:blogger.com,1999:blog-5178866099389178788.post-23189011055099748822020-02-08T02:07:00.002-08:002020-02-08T02:07:31.379-08:00Agreeing with Helga Zepp-LaRouche<br />
<a href="https://larouchepub.com/hzl/2020/4703-year_of_beethoven-hzl.html">Open Letter to Germany’s Classical Music Lovers in the Year of Beethoven
<br /><i>The Bounds of Decency Have Been Breached</i>
<br />by Helga Zepp-LaRouche, Chairwoman of the Schiller Institute
<br /><i>This article appears in the January 17, 2020 issue of Executive Intelligence Review.</i>
<br />https://larouchepub.com/hzl/2020/4703-year_of_beethoven-hzl.html</a>Hans Georg Lundahlhttp://www.blogger.com/profile/01055583255516264955noreply@blogger.com0tag:blogger.com,1999:blog-5178866099389178788.post-19270848950355824722019-10-02T06:21:00.002-07:002019-10-02T06:31:08.914-07:00Sonate de Nanterre (tournée correctement)<br />
<table><tr valign="top"><td>Picture incomplete, add a repeat signe at end of line three. <td> <td>Image incomplet, ajoutez une reprise à la fin de ligne trois.</table>
<br /><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEin165pmMvyBs5TR_Pwni50Drq7JcJ1cwS-zMsNZv_Dh7sUHOPIYHafW-cnrfVhhpU-Q2LiFThygV12kTufO1YmiqfBRbdDd_OINHmC0-jEOeeQOWvuHqIbZVEFL6XEc2E65cwvos3HT5Y/s1600/sonate+de+nanterre.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEin165pmMvyBs5TR_Pwni50Drq7JcJ1cwS-zMsNZv_Dh7sUHOPIYHafW-cnrfVhhpU-Q2LiFThygV12kTufO1YmiqfBRbdDd_OINHmC0-jEOeeQOWvuHqIbZVEFL6XEc2E65cwvos3HT5Y/s320/sonate+de+nanterre.jpg" width="180" height="320" data-original-width="450" data-original-height="800" /></a>Hans Georg Lundahlhttp://www.blogger.com/profile/01055583255516264955noreply@blogger.com1tag:blogger.com,1999:blog-5178866099389178788.post-31112836401013189872019-10-02T06:09:00.001-07:002019-10-02T06:09:35.884-07:00Andantino de Bonsergent (tourné correctement)
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj60ImUDBz9_A5reLykb3A6p8BhmcHLo3BYLMJQyyAGk9NCfScttoP1EcZPQiS4jkxtOBXUSdY7NPbEz7DCvgVLcO8uHp9v6ZmhuDbu2lxtvbrkf-MOwMLquDVHoDItSM_75dIm9lC73y0/s1600/andantino1.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj60ImUDBz9_A5reLykb3A6p8BhmcHLo3BYLMJQyyAGk9NCfScttoP1EcZPQiS4jkxtOBXUSdY7NPbEz7DCvgVLcO8uHp9v6ZmhuDbu2lxtvbrkf-MOwMLquDVHoDItSM_75dIm9lC73y0/s320/andantino1.jpg" width="227" height="320" data-original-width="481" data-original-height="679" /></a>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEjgXaZ16hhCRK_cibBP7XE-pz5mF3Rl4B4D66Sc29tK5sDYlOPhTj9KtzFjwbbVw4yAzMLAWUb_AFpI1Zd5sgW-W_25CrBq1HpOkJA2oJn2y68sxl0IszfeUcxYw6crWY0bXfFEWuBOI/s1600/andantino2.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEjgXaZ16hhCRK_cibBP7XE-pz5mF3Rl4B4D66Sc29tK5sDYlOPhTj9KtzFjwbbVw4yAzMLAWUb_AFpI1Zd5sgW-W_25CrBq1HpOkJA2oJn2y68sxl0IszfeUcxYw6crWY0bXfFEWuBOI/s320/andantino2.jpg" width="227" height="320" data-original-width="481" data-original-height="679" /></a>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSNlyGZjuZOtpJy2o-yRHqUEZZShH0frzYCbwYrLIjTJVZ_4qBuDo2hLdQaEbgmBi6-2poZcJjD21TSTVC0GI-e-aJzIBd5SkiXt-4PwnHWpQr_m72SDSUez1s4Ml2vH0IZ_BokAf_CzA/s1600/andantino3.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSNlyGZjuZOtpJy2o-yRHqUEZZShH0frzYCbwYrLIjTJVZ_4qBuDo2hLdQaEbgmBi6-2poZcJjD21TSTVC0GI-e-aJzIBd5SkiXt-4PwnHWpQr_m72SDSUez1s4Ml2vH0IZ_BokAf_CzA/s320/andantino3.jpg" width="227" height="320" data-original-width="481" data-original-height="679" /></a>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijIOh8Crxfi6uuPVJix4foCe3jG3q69E5mMZj-rkmQaViKWKfrNHZr12yrRMUtoeCC6EC8eZYKp1WSAM_HvhuxpnN3YiOn_d01Jit53Pt1Su9Lfy-agAvJz_W3mgjzm6spKVstw4YNl34/s1600/andantino4.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijIOh8Crxfi6uuPVJix4foCe3jG3q69E5mMZj-rkmQaViKWKfrNHZr12yrRMUtoeCC6EC8eZYKp1WSAM_HvhuxpnN3YiOn_d01Jit53Pt1Su9Lfy-agAvJz_W3mgjzm6spKVstw4YNl34/s320/andantino4.jpg" width="227" height="320" data-original-width="481" data-original-height="679" /></a>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgPzY__v1jpGzXM2D6cjAG6HKhb5UkCp5Pa01lWlBOHjPUUlzVyniW1ehh0vxBpNigMkIN1nWbk3L72ntkqWhShw24eR_HI3hPDBrNcfFjuvUncV9SOLlXos3MQGF3LPnD1LcszuubNtA/s1600/andantino5.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgPzY__v1jpGzXM2D6cjAG6HKhb5UkCp5Pa01lWlBOHjPUUlzVyniW1ehh0vxBpNigMkIN1nWbk3L72ntkqWhShw24eR_HI3hPDBrNcfFjuvUncV9SOLlXos3MQGF3LPnD1LcszuubNtA/s320/andantino5.jpg" width="227" height="320" data-original-width="481" data-original-height="679" /></a>Hans Georg Lundahlhttp://www.blogger.com/profile/01055583255516264955noreply@blogger.com1