Monday, September 15, 2014
Friday, September 5, 2014
Bavaria - Northern Spain
Schones Osttirol grossglocknerkapelle kals
bennyman1960
https://www.youtube.com/watch?v=BztI7WP7HMo
I felt musically very at home on the Pilgrimage of Saint James.
In Galicia things sounded like Irish folk musik. But other parts of Northern Spain would not have been strangers to these tunes. The Jota I think, except for details of rhythm, is very closer to this than to the Music of Andalucía.
Hans Georg Lundahl
Bpi, Georges Pompidou
St Laurence Giustiniani
First Patriarch of Venice
5-IX-2014
(PS, I have another music sheet ready and hope to have more soon, I long for an opportunity to scan)
bennyman1960
https://www.youtube.com/watch?v=BztI7WP7HMo
I felt musically very at home on the Pilgrimage of Saint James.
In Galicia things sounded like Irish folk musik. But other parts of Northern Spain would not have been strangers to these tunes. The Jota I think, except for details of rhythm, is very closer to this than to the Music of Andalucía.
Hans Georg Lundahl
Bpi, Georges Pompidou
St Laurence Giustiniani
First Patriarch of Venice
5-IX-2014
(PS, I have another music sheet ready and hope to have more soon, I long for an opportunity to scan)
Tuesday, August 26, 2014
So as to be perfectly clear: the restriction on Téléthon also applies or would apply ot Ice Bucket challenge if they were raising money via concerts
Here is the relevant video:
Liberty Alliance : The ALS Ice Bucket Challenge Kills Babies
DrGinaLoudon.com, Email, Videos 6 Comments
http://libertyalliance.com/2014/08/als-ice-bucket-challenge-kills-babies/
This does not mean one is not free to use my music for charities, it means that in my book what does stem cell research on embryonic stem cells does NOT qualify as a charity./HGL
Liberty Alliance : The ALS Ice Bucket Challenge Kills Babies
DrGinaLoudon.com, Email, Videos 6 Comments
http://libertyalliance.com/2014/08/als-ice-bucket-challenge-kills-babies/
This does not mean one is not free to use my music for charities, it means that in my book what does stem cell research on embryonic stem cells does NOT qualify as a charity./HGL
Tuesday, July 15, 2014
La démothèque, c'est quoi?
Bibliothèques de Paris : Démothèque de la Goutte d'Or
http://b14-sigbermes.apps.paris.fr/medias/medias.aspx?INSTANCE=exploitation&PORTAL_ID=portal_model_instance__demogout
En résumé: un artiste qui a fait une démo peut en déposer un exemplaire dans cette "démothèque". Elle sera prêtable, non pas comme les autres supports musicaux des bibliothèques contre une carte payante, mais bien comme les livres, avec une carte de bibliothèque gratuite.
Ce n'est pas marqué que l'artiste doive être le compositeur. Si quelqu'un voudra faire un compositeur de l'époque baroque inconnu sauf pour les spécialistes, ou si quelqu'un voudra faire un enrégistrement avec mes compositions, je ne crois pas que ce soit interdit - au moins ce n'est pas marqué. D'ailleurs, souvent les artistes sont aussi leur propres compositeurs.
Bon, en attendant qu'un quatuor va s'apitoyer sur mes quatuors, faire un maquette et la déposer pour la démothèque, devenir connus, se remporter de l'argent et me remporter de l'argent, je fais quoi? Encore une composition, ou je roule les pouces?
Hans Georg Lundahl
Bibl. Audoux
St. Henri I, Empéreur Romain
de Nation Germanique
15-VII-2014
http://b14-sigbermes.apps.paris.fr/medias/medias.aspx?INSTANCE=exploitation&PORTAL_ID=portal_model_instance__demogout
En résumé: un artiste qui a fait une démo peut en déposer un exemplaire dans cette "démothèque". Elle sera prêtable, non pas comme les autres supports musicaux des bibliothèques contre une carte payante, mais bien comme les livres, avec une carte de bibliothèque gratuite.
Ce n'est pas marqué que l'artiste doive être le compositeur. Si quelqu'un voudra faire un compositeur de l'époque baroque inconnu sauf pour les spécialistes, ou si quelqu'un voudra faire un enrégistrement avec mes compositions, je ne crois pas que ce soit interdit - au moins ce n'est pas marqué. D'ailleurs, souvent les artistes sont aussi leur propres compositeurs.
Bon, en attendant qu'un quatuor va s'apitoyer sur mes quatuors, faire un maquette et la déposer pour la démothèque, devenir connus, se remporter de l'argent et me remporter de l'argent, je fais quoi? Encore une composition, ou je roule les pouces?
Hans Georg Lundahl
Bibl. Audoux
St. Henri I, Empéreur Romain
de Nation Germanique
15-VII-2014
Labels:
français,
practical stuff - côté pratique
Monday, July 7, 2014
Un compositeur noir pour le studio Ghibli?
"Le Mozart Noir :Reviving A Legend" - Joseph Boulogne, Le Chevalier des St. Georges (Part 1 of 5)
TheReturnOfStephan1
http://www.youtube.com/watch?v=vILAgsHUlt8
Dans la "gotha Noir" je trouve comme premier personnage un contemporain (plus ou moins) de Mozart. Je suppose que la musique du documentaire est par le compositeur, alors il est très bon. Voici du texte de ce livre, une petite citation:
Voyons, je crois qu'on a la recette d'un succès.
Peut-être que le Chevalier Saint-Georges préférait ses librettistes à Da Ponte? Et peut-être qu'il avait raison.
C'est triste que l'écrivain Alain Guédé soit trop politicalement correct pour apprécier ce qui pourrait de nos jours donner une carrière posthume à Saint-Georges. Mais peut-être que son opéra ne plaira pas tellement aux Noirs de France qu'aux Japonais - et aux Autrichiens?
Ça serait dommage s'il était surtout entendu dans ses compositions maçonniques et funèbres. Comme ce serait le cas pour Mozart. Même de la Flûte enchantée on se souvient mieux de Papageno que du salaud eichmannien Sarastro.
Hans Georg Lundahl
Bpi, Georges Pompidou
Sts Cyrille et Méthode
7-VII-2014
TheReturnOfStephan1
http://www.youtube.com/watch?v=vILAgsHUlt8
Dans la "gotha Noir" je trouve comme premier personnage un contemporain (plus ou moins) de Mozart. Je suppose que la musique du documentaire est par le compositeur, alors il est très bon. Voici du texte de ce livre, une petite citation:
L'homme était un fabuleux compositeur, le premier sans doute à avoir exprimé avec autant de justesse les sentiments humains. Mais à la différence d'un Mozart, qui a su utiliser Da Ponte, le Chevalier de Saint-George n'a jamais trouvé un librettiste à la hauteur de son talent. Et réglièrement, la critique saluait la force de sa musique, mais brocardait la faiblesse des intrigues de ses opéras. IL n'a d'ailleurs pas été le seul. À l'exception notable de Mozart, de Gluck et, plus tard, de Boieldieu, la plupart des livrets d'opéra de l'époque tombent des mains. Moutons, petits oiseaux, ruisseaux, orages, jolies marquises et comtes aux nobles sentiments : tout le bestiaire et l'imagerie du règne de Marie-Antoinette y passent.
Voyons, je crois qu'on a la recette d'un succès.
- Moutons,
- Il me semble que Heidi, par Johanna Spyri, passe assez bien de nos jours. Comme BD et comme animé encore davantage que comme livre.
- petits oiseaux,
- "Låt oss liksom svalorna, bygga oss ett bo" - les hirondelles passent assez bien en Suède.
Sans oublier les petits oiseaux dans le film Disney Cendrillon! Parlés par Marion Darlington. - ruisseaux,
- Et les scènes de la Old Forest et de Fangorn font parti du bonheur chez les lecteurs de Tolkien, sans oublier les ruisseaux dans le roman Le Hobbit, et il y a des scènes en Narnia avec, comme celle où Jill voit Aslan à travers un ruisseau.
- orages,
- Hitchcock? Ou le film Île du Trésor?
- jolies marquises
- Et depuis quand est-ce que les jolies filles ne passent plus, si elles sont bien kawaii?
- et comtes aux nobles sentiments
- On préfères peut-être les nobles sentiments (voir aussi les mangaka nippons) aux sentiments pas toujours tout aussi nobles d'un Comte Dracula, non?
Peut-être que le Chevalier Saint-Georges préférait ses librettistes à Da Ponte? Et peut-être qu'il avait raison.
C'est triste que l'écrivain Alain Guédé soit trop politicalement correct pour apprécier ce qui pourrait de nos jours donner une carrière posthume à Saint-Georges. Mais peut-être que son opéra ne plaira pas tellement aux Noirs de France qu'aux Japonais - et aux Autrichiens?
Ça serait dommage s'il était surtout entendu dans ses compositions maçonniques et funèbres. Comme ce serait le cas pour Mozart. Même de la Flûte enchantée on se souvient mieux de Papageno que du salaud eichmannien Sarastro.
Hans Georg Lundahl
Bpi, Georges Pompidou
Sts Cyrille et Méthode
7-VII-2014
Saturday, June 21, 2014
Is Ennio Morricone waiting for Box Office incomes for My Name is Nobody?
I tried to access this video (more for Terence Hill than for Ennio, but now it was mentioned, yes, the film music was good).
Terence Hill - My Name Is Nobody ( Full Movie English ) 1973
http://www.youtube.com/watch?v=Fxqc4lae7bI
Ennio Morricone is not even mentioned. Not "this video contains material belonging to Ennio Morricone" but "this video contains material belonging to SACEM".
If that is the problem.
Or perhaps Believe Music claims the rights to Morricone's music? If that is the problem.
Or perhaps StudioCanal is worried if the video is not blocked, they earn less on lending videos with the film.
But they did not perhaps produce it? How can they then own it?
I am not disputing they have a moral as well as legal right to earn money by lending out copies of My Name is Nobody.
But they do not have a moral right to block everyone else from giving access to the film in other ways, including for free. If they are the problem.
Now, I looked up Rossiter Road. They are on LinkedIn:
Rossiter Road Uk Ltd
http://www.linkedin.com/company/rossiter-road-uk-ltd
If that is honestly what they would like to do (never mind the spelling mistakes, they will correct it no doubt to "help them to make them known" or sth), they are not the problem, they did not ask for that blocking.
Ennio is hardly in need of them to get known and blocking a youtube is hardly making anyone better known.
But, let us suppose that Ennio Morricone has given one of above a legal right (though not a real moral one) to act like this, that gives NO ONE of them any kind of even merely legal right whatsoever to go about - no doubt through unimportant underlings who can be promptly sacrificed if I should succeed - blocking artist after artist who heard of me from playing my music and sending me voluntary royalties.
The composers who buy into this system may or may not have a moral right to do so if they think they would otherwise be ruined by plagiarisers (would Morricone take my place as a beggar if this video were not blocked? I do not think so) BUT neither they nor these right holding companies have any kind of right to take such a decision for a composer who does NOT wnat to sign up on this system.
I am not begging because of all who play my music without paying me. But because my music is not played for paying public by artists then paying me voluntary royalties. And this has come to be so persistent, despite a very prolonged campaign to get played, that I suspect some mighty men are involved in a kind of blockage.
Hans Georg Lundahl
BpI, Georges Pompidou
St Aloysius Gonzaga
21/VI/2014
Terence Hill - My Name Is Nobody ( Full Movie English ) 1973
http://www.youtube.com/watch?v=Fxqc4lae7bI
Cette vidéo inclut du contenu de SACEM, Believe Music, Studiocanal, [Merlin] Rossiter Road UK LTD et de UMPI. Au moins un de ces propriétaires l'a bloqué dans votre pays pour des raisons de droits d'auteur.
Ennio Morricone is not even mentioned. Not "this video contains material belonging to Ennio Morricone" but "this video contains material belonging to SACEM".
If that is the problem.
Or perhaps Believe Music claims the rights to Morricone's music? If that is the problem.
Or perhaps StudioCanal is worried if the video is not blocked, they earn less on lending videos with the film.
But they did not perhaps produce it? How can they then own it?
The company was founded in 1988 by Pierre Lescure as a spin-off of the Canal+ pay-TV network. The original function was to focus on French and European productions, but later made strategic deals with American production companies. StudioCanal's most notable productions from its early years include Terminator 2: Judgment Day, JFK, Basic Instinct, Cliffhanger, Under Siege, Free Willy, and the original Stargate movie. In those days, it was known as Le Studio Canal+.
I am not disputing they have a moral as well as legal right to earn money by lending out copies of My Name is Nobody.
But they do not have a moral right to block everyone else from giving access to the film in other ways, including for free. If they are the problem.
Now, I looked up Rossiter Road. They are on LinkedIn:
Rossiter Road Uk Ltd
http://www.linkedin.com/company/rossiter-road-uk-ltd
We would like to meet artists/musicians of all kinds to help them to make know all around the world, to sell their musics.
If that is honestly what they would like to do (never mind the spelling mistakes, they will correct it no doubt to "help them to make them known" or sth), they are not the problem, they did not ask for that blocking.
Ennio is hardly in need of them to get known and blocking a youtube is hardly making anyone better known.
But, let us suppose that Ennio Morricone has given one of above a legal right (though not a real moral one) to act like this, that gives NO ONE of them any kind of even merely legal right whatsoever to go about - no doubt through unimportant underlings who can be promptly sacrificed if I should succeed - blocking artist after artist who heard of me from playing my music and sending me voluntary royalties.
The composers who buy into this system may or may not have a moral right to do so if they think they would otherwise be ruined by plagiarisers (would Morricone take my place as a beggar if this video were not blocked? I do not think so) BUT neither they nor these right holding companies have any kind of right to take such a decision for a composer who does NOT wnat to sign up on this system.
I am not begging because of all who play my music without paying me. But because my music is not played for paying public by artists then paying me voluntary royalties. And this has come to be so persistent, despite a very prolonged campaign to get played, that I suspect some mighty men are involved in a kind of blockage.
Hans Georg Lundahl
BpI, Georges Pompidou
St Aloysius Gonzaga
21/VI/2014
Thursday, June 12, 2014
Restriction against French Téléthon applies also to March of Dimes.
I just got this clarification from a FB friend or two:
That is then the exact counterpart of French Téléthon, which I have already explicitly banned from using my compositions to raise money for their cause.
My ban therefore extends to March of Dimes as well.
Hans Georg Lundahl
Bpi, Georges Pompidou
Thursday in Pentecost Octave
12 / VI / 2014
Just so you all know, the March of Dimes is pro-abortion. Do not support them in any way.
The March of Dimes is an organization that markets themselves as a charity that works to prevent birth defects. They started asking for donations of dimes, which suited them because the dime has an image of Roosevelt, who became handicapped. Not that they haven't done some good somewhere, but one of the means of preventing birth defects that they advocate is the prevention of the birth of babies with defects, in other words, aborting them. Then they can point to statistics that show a drop in the percentage of births of babies with handicaps, and claim credit for it.
That is then the exact counterpart of French Téléthon, which I have already explicitly banned from using my compositions to raise money for their cause.
My ban therefore extends to March of Dimes as well.
Hans Georg Lundahl
Bpi, Georges Pompidou
Thursday in Pentecost Octave
12 / VI / 2014
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